Wow, here’s another project that exudes an amazingly beautiful simplicity, sitting lightly on the land and calling outwards while not overbearing the beauty in which it sits and gazes upon.
A frame of pristine and shockingly white smoothness, this building basically speaks for itself. And it’s the articulations of its otherwise-perfect form that really make the project, most noticeably the delicious inset stained-glass windows (and I do so much love stained-glass) with one (but not the same one, adding a touch of dynamism) on each side rising upwards to the steeply sloped roof. On the outside, the window recesses are articulated further with angular cuts that carve out the insets, while on the inside, small niches and built-in benches (that pull down from the wall) give rhythm as your eye draws out to the completely windowed end, peering out towards the sculpturally-cast cross that sits surrounded by the immensity of nature beyond.
How the building changes in each season seems especially magical, the white forms contrasting in the summer and blending into the snowy landscape (yet still an object that draws the eye) in the winter. There’s some magic in that.
Beautiful work. It may be of small proportions but it is of immense effect (but not in an ostentatious way), a place of quiet contemplation never separating itself from the world. Great stuff.