Archive for the ‘Gaming’ Category


Philosophy Tuesday

October 17, 2017

So there’s this funny* tendency we have, as humans and that is the tendency for one disparaged group to disparage another.  For a group, or individual, under duress to all to readily and quickly turn around and perpetrate the same onto another group.

On the one hand, this doesn’t seem to make any sense… surely this group, or individual, knows what it feels like to be disparaged, denigrated, diminished, disowned, and discriminated against, right?  The hurt that accompanies it, the feelings of frustration, the harshness it is to exist under… why would they then do likewise to another?

But, on the other hand, it also makes perfect sense – in the same context.  This is the world they (we) live in, this is the world that has been modeled, this is the world that has been taught, a world where if you are to have power and agency, you gain it, at least in part, via the act of disparagement.  It is what the “powerful” and “well to do” and “respected” and “right” and “normal” people and groups do.  They disparage.   It is a hierarchical system, a caste.  And so, to be, and to demonstrate you are, in “power”, you disparage.  It is the path forward, the path to confidence, security, and self-determination.

Except, of course, that it doesn’t really work.  Nor is it authentic.  And in the end, if we’re honest, doesn’t leave anyone on any side feeling great.  It only perpetrates the precarious anxious knife-edge feeling of precariousness, balancing on that “knowledge” that, at any moment, something may happen that will drive us out of favour and perpetrate our rush to the bottom of that ladder.

No matter where on the chain we (currently) sit, there’s no authentic self-confidence there, no peace of mind, and no self-actualization.   And , above all, no freedom or self-expression.

There isn’t much more to say other than the invitation play the game of being mindful and present, and be aware of what the actual impetus is when jumping on the disparagement train.

There are plenty of other trains that lead to far more exciting and heartening places.  Let’s travel on those.


* Funny in the cosmic sense, though it is also, at the same time, not so funny at all and cosmically unfortunate.

** Years ago I played in my first LARP (Live Action Role-Playing Game).  When I got there, a bunch of the regulars were talking, and were fully embroiled in disparaging this other, particular, fandom.  “Yeah, those losers are almost at the bottom of the geek hierarchy chart…” one person proudly said.  Putting aside the vapidity of such a chart, the illuminating thing was that LARP players are also right near the bottom of that same chart.  This person was using a chart that disparages them to disparage someone else… trapped in the downward spiral in hopes of somehow regaining pride and agency.   (It didn’t/doesn’t work)


Wonder Wednesday

September 13, 2017

Double Dragon Tiger Gate (very much one to look at full screen):

art by Stéphane Wootha Richard


Philosophy Tuesday

September 12, 2017

A while back, I was reading a review of an RPG game based on/created for a very popular and long-running set of sci-fi movies.  The review was doing quite the thorough job and examining and discussing the numerous flaws and oddities (as it saw them) in the rules.  The responses, in comments, were quite numerous, with more than a few written in very strong and strident language.

As I read those replies, I noticed two things, the second* of which being that many of the very “animated and assertive dissenters” (for lack of a better word) diverged quickly from discussing rules and instead began “defending” the idea of an RPG in that universe/story.  Their comments became about whether the story was a good one, whether you liked that story or not, and whether it was a good idea to play a game inside it.

Questions which the review never broached once, even as teasers.

My take on it all?  A nice example (and reminder) of identity survival hijack:  “I like this thing so much, I have made it part of my identity, and here’s this person saying something critical**about that thing, therefore who I am is at stake, and I must rise to protect and secure.”  The distinctions of the text are lost, as are both the specificities of the text and any nuance contained therein.  That the article was, in many ways, expressing the writer’s like of the sci-fi property (through them buying the game, running many games with it, and writing the article because they wanted to continue) was instead lost, all washed away under the spark of identity flailing.

We humans sure are funny sometimes, aren’t we?***

Besides what I got about the game itself, this little dive into the comments also gave me a nice window into seeing another way an identity hijack can play itself out.  And through that, a little more was added into my mindfulness cup.


*  The first was that many of the defenders of the game included phrases such as “if you ignore this…” or “if you just do this…” or “this is how we play…” (or included examples of rules interactions that were incorrect).  Effectively, despite their forcefulness and opening statements otherwise, they were agreeing with the thrust of the review:  that the rules, as written (which is the purpose of a review, to look at things as they are put out into the world and/or sold), were poor.  That to play the game well required rather major changes.  I think there’s a whole world worth exploring inside this disconnect as well…

** Which doesn’t mean “bad”…

*** No word if the many species in said sci-fi universe also suffer from the same funnyness – though I’m very much sure many do in their own way.


RPG System 12: Permissivity

July 27, 2017

Um… ok.  It’s been nearly 18 months since I last posted anything about my RPG system.  Yikes.

And that aside, here we dive in again!  Tonight looking at an aspect of game design that includes, in some ways, the area of how broad or narrow skills are in the system.  Going beyond skills, however, it’s a more fundamental and philosophical question about game design:  how permissive is the system? Read the rest of this entry ?


Gaming Thursday: The Mouse Guard Epiphany

July 20, 2017

With another chapter in our Dresden Files game come to a close, my group and I have plunged ourselves into Mouseguard.  Based on the grand graphic novels by David Peterson, it promises a heavily narrative-based game (it uses a version of the Burning Wheel system).  We’ve played a half-dozen or so sessions, and we’ve progressively been getting into the swing of things.  There are a quite number of intricacies to the system that took us a while to remember and get a handle on;  more than we were anticipating, but as we play more and more we can see how they interconnect and what they make available.  However, there was one aspect of the game that kept seeming to elude us, something that despite our growing familiarity of the system still seemed to be robbing our game of what we felt should be a certain flow and involvement.

Last weekend, though, in one of those hilarious moments of non-sequitur insights while randomly walking through my house, I got just what had been eluding us:  Compared to the resolution structure in most RPGs, Mouseguard’s is reversed.

In all the RPGs I’m familiar with (indeed, this has been the “normal” way of playing since I started playing 30 odd years ago), scenes* are played out in “real-time”, with players/characters acting and reacting to events as they unfold in the scene, and die rolls are made whenever the GM thinks one of these (re)actions has a chance of failure.  This continues with further (re)actions and further die rolls until the scene ends.  Many different skills or abilities may be tested during a scene, and the players are usually trying to angle themselves and their actions towards “victory.”

Here is where Mouseguard flips things on its (mouse) ear:  there is only one test, and it happens at the start of a scene.

Things begin with the GM describing the basics of the obstacle to be overcome in very broad, 1000 metre view, terms.  The scene is also set in those broad terms:  it could be the forest, an entire city, underground caverns, or the sea.  With the obstacle set, the GM can present what skill needs to be tested to bring the party to a desired outcome, and the players can also suggest more.  Then one character makes the test, with potential (and game-rules-directed) assistance from the other characters.  After a rather involved series of steps and ways to have the test be successful (and it makes much more sense why there are so many steps once we got how few influential the few test rolls are), the party either succeeds or fails.

And then you narrate the heck out of how the party gets to that conclusion.

That there is the biggest shift to make to get Mouseguard… Setting the scene also includes setting how the scene will end.  Everyone around the table knows this outcome.  Armed with that knowledge, you all work to tell the most interesting story you can come up with for how it all plays out.


I think this is quite cool.  And I’d say definitively the most narrative angle of the narrative-RPGs I’ve played.  There’s a certain liberation in starting the scene knowing you will fail (or succeed, for that matter) – you can set up your failure much more intricately, much more delicately, and much more satisfyingly than wondering how you’ll do on that next skill test (and knowing there could be several more skill tests).  And since everyone knows, the whole group gets in on the act.  Maybe they all act in concert to foul things up, maybe one of them botches things, maybe they try valiantly but the environment gets them, maybe they lose big, maybe they just miss it by milimetres.  Interpersonal interactions can play a role, friends and enemies could be involved, it’s all open to play with.

Overall, I think this creates the potential for much richer stories.  Maybe it lends itself more towards mostly third-party narration versus acting things out, but I don’t know yet.  I’m excited to see how we play it out in our group.  Now that we’ve got the sequence down right, I’m sure we’ll begin to further grok the various intricacies between all the different inputs (persona points, fate points, beliefs, etc) and also use them in a much more rich manner.

For sure I’m still a big fan of the real-time and extemporaneous style of play, but this reverse-o way of playing has got me really eager to see what comes out of it.  I’ll let you all know how it turns out.


* While there’s usually no hard and game-rules enforced start to a scene, there is a certain point where the GM begins to describe things in more detail or with more urgency, often accompanied by the description of a new location.


Gaming Thursday: Top Secret/SI (& NWO!)

July 6, 2017

I was all set to post about reading through Top Secret/SI tonight when I learned of some very exciting news:  TOP SECRET IS BACK!

The original creator of Top Secret, Merle Rasmussen, has teamed up with a few others to create Top Secret: New World Order, and it’s LIVE on Kickstarter right now!

Colour me stupendously excited.  I’ve backed it and eagerly await its release.  Judging by the couple of images at the Kickstarter, it appears it will be a dice pool system using dice sizes for rankings, in basic stats (Nerve, Suave, Pulse, Intellect, Reflex), spycraft (sigint, humint, techint, combat), and something else… roll 13+ to succeed.  We’ll have to wait and see.

But for now, back to…

Top Secret/SI (for Special Intelligence) popped out in 87.  Still quite enamoured with Top Secret, I snatched it up as soon as I heard about it, and dove into it.  It was a pretty big rules re-design, introducing and updating it to many of the ideas that were becoming prevalent in the RPG world.  Gone were the individual resolution systems for infiltration, interactions, and combat, replaced instead with a universal percentile resolution system with a target number of your Stat + Skill Level x5 +/- Modifiers.  One unique thing was how your base stat was determined, via a d60 +10 roll, with this added bit of if all your stats totaled  less than 275, you could add enough points to make them total 275.  Looking back, a somewhat interesting way of generating a starting target number with a max of 70% chance of basic success, but one that you were equally likely to roll that 70 to rolling a 20… and having yourself a nigh-well impossible chance of doing much at all with that stat, maxing out to 45 even with max skill levels… and worse, sometimes you had to roll 1/2 or even 1/4 stat…. yeah.  Don’t even try to do anything in that area of expertise with that character.

The character sheets, though, were awesome.  They came as a full-blown dossier, and cemented my love for game-enhancing feelies:

I just love that so much.  With all the space for photo, nationality, history, and more, it really brought the more “fluff” parts of the character to bear, and reminded that hey!  You’re playing an espionage game here.

One thing you’ll see on that dossier is the agent diagram with the hit boxes.  Each location had boxes equal to 10% of your CON score, and each point of damage would cross off the box.  Cross off all boxes in head or body location, and you were dead.  Other areas, and the body part was destroyed.  Much less abstract than “Hit Points” and really quite deadly.  Though at the same time a bit odd that the hands were their own hit location with just as much damage soaking capacity…

Right from the get-go, the campaign style of Top Secret/SI was turned up several notches compared to Top Secret, a much more Bond-esque and superspy type world with a big bad organization like SMERSH or SPECTRE, called WEB, and an equally large organization opposing it, named ORION.  To give a sense of the tone in a number of the published modules, I ended up running them in a superhero Champions game, and they fit right in.

What was also nifty is that, over time, TS/SI became TSR’s base system for modern day and near-future action.  Supplements expanded the range of campaign styles, including Commando for more combat-oriented, Rambo-like stories, and even FREE-Lancers, a light cyberpunk-esque style campaign.  I never really got into FREE-Lancers (which is a bit unexpected, given I loved me my Cyberpunk and Cyberpunk 2020 games), but I ate Commando up like candy.  My games became much more closely linked in tone to Mack Bolan and Phoenix Force books than suave James Bond types… though we never abandoned all the fun gadgets.  Looking back, a rather amusing mix.

Overall, I do remember that at the time TS/SI came out I was… not altogether happy.   I had a lot of “Why did they change that??”, an early curmudgeon/grognard type reaction.  And so I went forward with this kitbashed version that combined aspects from the original game with the SI edition.  Likely it was this total hot mess, but it served us well for many years.  With some distance in time and mental space, on the whole I’d say TS/SI mostly gained compared to the original release.  Even if it lost some of the uniqueness and flavour baked into the subsystems, the unified resolution mechanism in TS/SI was a plus.  The game put even more emphasis on your character’s RP aspects, and the damage boxes for hit locations made combat tense and interesting, and the aftereffects lingering.  It definitively had an impact on my thoughts on what made a good RPG system for years to come.

And now, it looks like I’m getting my wish to play a Top Secret game once again.  Come November, no way in heck I won’t be playing, and reviewing, TS/NWO.

Just call me codename:  BAGMAN


Gaming Thursday

June 15, 2017

This… is all shades of both interesting/bizzare…

… and hilarious if you follow one of the comments’ suggestions and replace the redacted areas with classic D&D names:

“Vecna considers GYGAX to be eccentric . . .”

“Tiamat added that . . .”

“Mordenkainen advised that GYGAX…”

“… his knowledge of “The Tomb of Horrors”, also known as FRESNO.”