Posts Tagged ‘house’

h1

Architecture Monday

August 28, 2017

There’s something nicely rhythmic about this apartment conversion in Budapest.  Check out how the way the kitchen and bathroom niches are framed individually in muscular wood (in a pleasing ratio to each other), while at the same time they also continue upward to encompass a continuous loft overhead.  The same frames, at the same time, contain individual slices and something that spans the both of them, while relating in rhythm to each other and also relating to the existing doorway.  That’s some nice interplay there, not to mention a great way to create some very usable and pleasing “rooms” in an otherwise small apartment.  The netting is a nice final touch – safety while preventing the loft from becoming cut off from the rest of the space (not to mention I find it works with the rough frame aesthetic).

The rest of the place is a plethora of custom furniture all also made from the same raw wood detailing, all pairing nicely with the wood flooring (that I’m guessing came with the turn-of-the-century tenement building).  The table hides a fridge and doubles as a cutting board and kitchen work surface, the desk and cubbies are reconfigurable to house much more storage than might be expected.   Light, airy, compact yet active and uncluttered, this is nicely done work.

Bence Home by Studio Bunyik

h1

Architecture Monday

August 14, 2017

There’s something quite arresting about this house, in even this one photo.  The sun is certainly one reason why, gleaming off the smooth white polished and plastered walls (from locally sourced lime and salt) to bathe the interior in a sensuous glow… but for me it’s the way that smooth and polished plaster plays off the rough block construction that form the walls and columns, and even more so along the rough groin vaulting of the roof.  Against the strong uniform background the shadows and textures really pop, and the different patterns and surfaces make for a tableau of visual delights.  Even the stairs and floor are finely honed, adding their contrast between the silky and the coarse.

Even better is this is an adaptive reuse, made from a former lamp-oil mill built in the 17th century.  It does what adaptive reuse does best, letting the rugged form speak of its time and place while carrying it forward with a new use and new insertions.

Nicely done.  Ludovica + Roberto PalombaSerafini House by Palomba Serafini Associati

h1

Architecture Monday

July 31, 2017

Now this is a pair of small houses/cabins that I totally adore.  Designed by the same school that designed the micro-dormitories I spoke about before, the different site and different intent here led to something equally quite different, yet just as enticing.

Slung low and with both weathering metal and reclaimed wood as an exterior, they slide nicely into the red desert landscape that surrounds them.  One hovers, while one embeds itself into the ground.  “Sibling” cubes, they are carved and articulated in ways that render them unique, most prominently by their shaded and protected outdoor porches that provide perfect vantage points to watch the sunsets and the beauty of the landscape.

But to me even more magic happens within.  The placement of windows and the tight integration of (built-in) furniture with the forms is exquisite.  These are not large cabins by size, but they most certainly don’t feel cramped.  The bathroom is cool enough, but the beds are amazing.  In the one cabin, lying with both a huge picture window by your feet, but also the low-slung window perfectly at bed level to let your eyes dance along the horizon as you fall asleep… And in the other cabin, the bunk bed arrangement creating two wonderful sleeping “pods”, the lower like a whole wood cabin to yourself, the upper with a skylight placed just so to let your eyes dance along the glory of the celestial sphere as you fall asleep…

Great stuff.  Carefully thought out and rigorously done, these are buildings that fit their location and create a space and a feeling within that is delightfully uplifting.  On my list to visit and experience one day.

Red Sands Cabins by the Colorado Building Workshop

h1

Architecture Monday

July 17, 2017

I don’t think it’s a surprise at this point that I’m a fan of Snøhetta.  And this lovely cabin design is just another example why.

Check this out.  There’s a nice play at work here between a long rectangular bar and a playful roof whose base (but not ridge!) has been rotated in relation to that base bar.  This opens up a whole bunch of spatial magic.  Just from the outside, there’s something fun about it, with roof lines going this way and that, and every side looking different and intriguing.  I also like how the play of angles is reinforced by punctuating each end of the rectangular bar by a prominent and solid concrete box that does double duty to store wood or outdoor gear.

All of this really sings by the generous porch, where the interplay creates a deck that opens outward and upward towards the landscape beyond.  Inside, the windows reach all the way to the roof, bringing scads of light in and letting your view wander out.

All throughout the play of angles create little nifty moments and opportunities, from the small covered entry on the one side, and the expanding bedrooms on the other.

At its core, this is a very straightforward three bedroom cabin, designed for a multitude of locations.  With some equally straightforward but carefully considered design moves, Snøhetta has created a cabin far beyond the ordinary.  And, most excitingly, it’s also a prefab, so we can all get one!  Got a spot?  Call in an order and have it shipped your way…

Great, great work.  Gapahuk by Snøhetta.

h1

Architecture Monday

June 26, 2017

This is a fun little idea, taking the idea of shutters and writing it large across the facade of the house.  Opening a few, most, or all playfully changes the look and feel of the house, shifting throughout the day.  Even when completely closed, the cutouts (which derive from symbols used to identify boats and gear in this traditional fishing town) keeps things warm, illuminated at night like a giant tea light lantern.

The reverse, of course, also works, cutting the glare and heat-ray effect from direct sunlight and casting a delightful patterns within.  (Though I do not know why they do not have any furniture…)

House 77 by dIONISO LAB

h1

Architecture Monday

June 5, 2017

Short and sweet tonight, which almost describes this little house in Japan – just swap out short with tall.  Definitively sweet.  A house born of constraints.  When you don’t have much land upon which to build, and said land costs a fortune, you gotta get creative and make the most of what you’ve got and use those very constraints to push yourself to generate beauty.

A long, tall, slightly curving space dominates the house, a cathedral-like space that ends in a remarkable window with an even more remarkable curtain.  Off of this nave spirals the working centres of the house, interspersed with gardens, all equally and generously glazed.  It’s simple, lovely, poetic, and crafts a delightful place to live in a mere 645 square feet (60 square metres).  And at the very top, you sleep in a treehouse.

Nicely done.  O House by Hideyuki Nakayama Architecture.

h1

Architecture Monday

May 29, 2017

Came across this house in a news story the other day, and it caught my interest not only for its Art Deco styling, but moreover for the fact that the current Prime Minister of Canada grew up in that house (!).

There’s a lot of interesting bits to this house.  Let’s start with the art deco styling, for it is a very nice example of said styling.  There’s a good balance between the near-featurelenssness of the blank walls (I say near-featureless, for the oversized blocks themselves become sculptural, and the elaborate articulation around the corners does likewise) and the, well, art:  the statue nearly hidden above the door, the frieze above the window, and the planter box that rests below.  Those big blocks aren’t just treated as building materials either – everything is built up on a modulus by those blocks.  Check out how each element fits within or between the joints, including the mullions of the very grand window.  Overall the proportions are very fine, creating a rhythm and unity between not only the two prominent boxes that make up the front of the house, but also the relationship from body (the door) to entryway to great hall (5/3 and 13/8 – roughly the same, and close to the Fibonacci sequence).  And the small copper flashing that caps the facade rounds out the composition in just the right way.  It’s quiet yet striking at the same time.

At the back, things get interesting.  The terrain drops steeply away, and so the staircase inside leads down, rather than up, to the rest of the house.  It was also built directly pressing against an existing building, happily coexisting and creating its own flair in a way that isn’t diminished by, or diminishes, what was already there.  It doesn’t need a giant estate or tall fences to be a mighty fine building.

Lovely.  Designed by architect Ernest Cormier as his own residence, later bought by then Prime Minister Pierre Elliott Trudeau.

(And as another interesting side note… Ernest Cormier also designed the stately Supreme Court of Canada Building (!))