Take the profile of the row houses in a Netherlands village, squish and compress and combine, and you have the fun shape of this community centre. That includes, among other things, a library, which resides under one of its high peaks supported these soaring forms of laminated lumber:
Oh this one’s awesome… (and kinda close to my hometown!) An over 125 year old romanesque post office brought to new purpose to become a ‘bookless’ library, filled with creative labs and maker spaces and more. And it’s not just the stately post office building, it’s a new wrap-around glass pavilion that reaches out to engage the adjacent canal and make the whole shebang a part of the community space.
So, yeah, that gallery that hangs out over the river pretty much sells the whole thing. I mean, the original (and restored) post office is also lovely, with its arched windows, half turrets, towers, steep gable roof, and the brick and stone. All of that is enhanced with the new glass and steel surround that cantilevers not just once, but twice, hovering first over the water, then above over a patio/deck. And the undersides of which hasn’t been neglected, with polished aluminum and integrated lighting that speaks towards a future river walk. It’s dynamic and playful and though a very different language than the original building that contrast enhances each other, even more so when they are reflected off the water whether by day or, glowing like a lantern, at night.
Lots of light, lots of great views to the river and city beyond, and more interplay between the crisp new and the rugged old are what awaits within. These two languages combine in a culmination in the third floor maker space, inhabiting the cathedral-like space under the old high-pitched roof amongst the old support frames.
For an added bonus, there’s the glass ceiling that looks up into the old clock tower, putting the mechanisms on display!
Very cool project, another example of taking something already existing and, through re-use and a clever set of additions, turning it into something even greater. Plus public maker spaces/etc are a great addition to a community (I loved the one at the new library in Helsinki). And if you, like me, still love traditional book-filled libraries, there’s one right across the river.
What a beautiful chaotic mass! There’s certainly no missing this building, jutting froth from the ground as it does, like the tectonic plates of the region that inspired it. As a cultural centre, it announces itself most unabashedly.
It’s also got a touch of a European castle influence mixed in there, I think. But that’s my projection from what I’m used to, for my eye also projects a little bit of climbing gym wall as well…
The wonderful chaos continues within. Not that this is true chaos, of course – you can certainly tell the difference between a carefully designed explosion of expressiveness and rhythm versus true random splatter construction. Here it’s all geometric exuberance writ large, creating shelves and nooks for all manners of books and objects and art, including multimedia! All choreographed through circulation, charting a decidedly spatial journey.
Very cool and lots of fun. A great fusion of a library, art museum, and natural history museum.
Oh how I like this, especially as it’s exactly what it says on the tin: Seashore Library. It’s intricate, sculptural, and it delightfully responds to its unusual (for a library) location and makes full use of what such a location offers.
Inside and out the whole thing is a fancy interplay of solids and voids, with spaces both large and grand (such as the main reading room, with its ginormous window that frames the sand and surf beyond) or small and quiet (such as the meditation room). Its rough board-formed concrete feels right at home on the beach like some giant rock, and that wall texture enhances the interplay of light and shadow. And there is plenty of delightful light play throughout, shaping it both for functional reasons but also for dramatic effect.
Very very cool. Love its boldness and its intricate assemblage of different forms, with equally intricate windows and play of light to create a wonderful array of spaces that manage to be evocative and contemplate at the same time. Great stuff.
Though it’s a brutalist icon, and despite my love of libraries, I’ve never visited the inside of the Robarts Library on the campus of the University of Toronto. But after seeing these photos of the Thomas Fisher Rare Book wing, I really gotta!
There’s a lot of goodness going on here, from the strong hexagonal patterns (reminds me a bit of the National Art Centre), the cathedral like nave of books, the intricate play of multiple levels, the clerestory window coupled with the ginormous hanging lantern, all enhanced by the rich tones of the wood paneling, the books, and the red carpet underpinning it all. Killer work.
The Thomas Fisher Rare Book Library by Mathers and Haldenby Architects.
Culture house, community locus, and an example of lovely design, this new library in Tingbjerg alights amidst a garden city that was once a model city but has fallen into one of grave challenges.
It’s hard to choose what’s more striking at first glance… the large glazed façade that acts like a beacon, showcasing the activities within, or the bold wedge shape that, from certain angles, makes the whole thing read like a giant picture frame. And that shape is not just some fancy thing chosen for frivolity. Instead it was crafted quite deliberately as a way of bridging the scale from the existing school it connects with while also crating entry courts to both itself and the school. In addition, the exterior cladding (which is mirrored within), with its strong vertical banding, is a nod in colour and in texture to the surrounding buildings.
The intricacies continue inside, with multiple rooms and levels all tetrising together to serve the building’s many functions, be it library, learning, performances, resource center, community room, and beyond. The multi-levels follow the shape of the wedge through a big atrium, peeling back like a mountainous town and allowing views and interactions while also providing a sweet spatial experience for the many different uses.
This is cool. Architecture can be a great force multiplier, which is to say that through design and the creation of great space it can boost the effects of action and bolster the community. Provided, of course, that such action and community is being supported in the first place (otherwise it can also be a multiplier, but in the negative direction). I hope that proves to be the case here.
Maybe it’s something about spending so much time indoors that has me looking at libraries so much of late… whatever the reason, here’s another lovely one and one that I can check out the next time I can head back home to visit!
Wood. Definitively lots of wood going on here. Big, muscular, impressive wood, using engineered mass timber construction from responsibly managed lands (I am unsure if this is FSC certified, but I hope so). Arranged like a series of curving splayed fingers, each topped with a green roof, it opens towards the public square with a giant portico. It’s got great visual complexity, changing appearance from every angle, its various bits always in a dance with each other.
That beefy post and beam structure allows all below to be enclosed entirely with glass. Inside the veritable forest of leaning trunks and all that light makes for a vibrant experience, almost cathedral-like. It also allows for maximum flexibility; as its role evolves over time, the library can shuffle itself around to suit the needs of the community.
A very cool, engaging, and fun design. Top shelf work.
The Peabody Library in Baltimore, by Matthew Chrisopher
Another library tonight that forms a nice contrast from the museum of last week’s post. Where the watch museum went for a delicate and unique form, this one takes its cues from its agrarian surroundings, exuding rugged beauty and muscle, though done with an equal eye to proportion and detail.
Using brick and concrete, the heavy frame with its open-gable roof rises from the terraced paddy fields that surround it. The shell is treated almost like an independent structure, like a found building (with a tree nearly growing into it at one end!) into which are inserted the lighter and glass-faced interior spaces.
Inside the contrast continues, with wood and steel and glass playing off the coffered robustness of the frame. Plenty of cutaways and punched windows lets the light in and allows for little details like the study nooks and the upper terrace to look back out to the fields all around.
I dig it. A nice and textured solidity that settles into the fields around it coupled with an airy interior that has plenty of moments to delight. Nicely done.