Amazing, amazing, amazing illustration of Mrs Brisby from The Secret of NIMH!
Beautiful work by Kenket
Amazing, amazing, amazing illustration of Mrs Brisby from The Secret of NIMH!
Beautiful work by Kenket
I saw this yesterday, and laughed a tonne…
And it’s true! The skies have indeed been much bluer of late here without all the traffic…
Great hilarity in these unusual times. Original Source here!
A little something ethereal for your ears…
“It’s just a kid’s movie.”
I do not like this phrase. As a way of excusing or justifying poor storytelling (or, worse, a poor story), it feels weird to me. As in, is the person uttering it really trying to say that because it’s for a child, it’s OK if it is not well made? That quality doesn’t matter? That throw any ol’ thing onto the screen and that’s enough?
Because to say that in other contexts can be quite bizarre, no? “It’s only a child seat. Quality isn’t important here.” “It’s only kid’s food… it doesn’t matter if its good or healthy, they won’t know the difference.”
To me, the thing is, they’re our children. We should want to provide them with the best. To give them the biggest and best leg up in life. To let them grow.
No, that doesn’t mean a movie has to dissect the epistemological underpinnings of post-dynamism economies, but kids are way more capable than we often give them credit for. And no, that also doesn’t mean that every movie has to teach something either (though they can), just the same as it is for adults. There are plenty of rich, amazing, and profound stories we can tell, and tell them with excellent storytelling craft that engages, whether it be to inspire, to enlighten, or to simply amuse. Or to do all three at once, and more.
And that’s the biggest thing for me about that phrase… because it’s not like there aren’t already excellent examples of movies ostensibly made for kids that are, well, excellent. Movies that are excellent on many levels. Take many of the works of Pixar, Disney movies (including my most favourite, of course), and, most certainly, the amazing (even stunning) works of Hayao Miyazaki. Movies that are moving, Illuminating, full of heart, and that deal with the inner drama of both children (in a most profound Mr Rogers way) and of people in general. While also being appealing, funny, delightful, charming, and captivatingly well told, a pure delight to watch.
So much so that not only do kids like them, but they are movies that are beloved in a general sense, from young to old alike, and whether we have children ourselves or do not. They are simply good stories. Good movies. And good stories attract everyone.
We can make these amazing stories. We do. And kids deserve them. There should be nothing “just” about a kid’s movie (or any other work of fiction).
And I invite us all to ask for it.
More photos from our grand day at Disneyland!
Love those squirrel rain spouts…
The castle is really looking good after a major refurbishment last year. It may not be large in stature, but with it’s bold colour popping and looking great under the strong California sun it captures the eye and is once again a grand centrepiece for the park.
Got to visit with Nick! (Judy was out on patrol…)
ShadowCheetah was wearing this fun and semi-subversive shirt that was filled with traditional Star Wars poster imagery but with title text at the bottom said “Star Trek” in the Trek font. Though he hadn’t approached Nick, as we were leaving Nick runs over and stops him to energetically point at the title on his shirt as if to say “What the heck?!” That ol’ sharp eyed fox! Spotted it from 6′ away! And then, if that wasn’t amazing enough, he proceeds to pantomime pulling out his pad, writing up an infraction/ticket, and handing it to ShadowCheetah. We laughed so hard, what a perfect act by Nick, a great interaction and totally impressive that he spotted it in passing from so far away!
The park as a whole for the day was delightfully quiet. We didn’t even get or need a FastPass once throughout the day, and managed to see/explore/ride an amazing number of things (listed in no particular order):
Plus exploring Batuu and many areas of the two parks. My oh my, it was a gloriously full day!
There’s something certainly beautiful of walking through the park long after closing, but also… mildly disconcerting. It’s weird to not have anyone else around, and with the silence that accompanies it. I totally loved it, don’t get me wrong, it’s peaceful beauty and I am now scheming to ensure I get to do that again. But it was very amusing to be in that headspace space of both marvel and unsettled at the same time.
I mean, though, how could you not love seeing the castle and main street so clear and free like this?
Getting to start the day standing before the castle nearly an hour before rope drop (ie park opening) and ending the day again before the castle nearly an hour after closure, with non-stop attractions in between. Truly a spectacular, wonderful, and fun-filled day.
Last week ShadowCheetah and I got a chance to hop into my starfighter and fly ourselves down to visit Batuu… and it was a decidedly good time!
After following the construction progress from afar, walking into Galaxy’s Edge and experiencing it was very cool. It’s a deliciously hyper-detailed land, with an attention to detail I’d not seen in a Disney park outside of the ones in Japan.
Every nook and cranny has been paid attention to with set dressing so that there’s no blank or disused areas. And the design of the land purposefully avoids any clear sight lines so that it unfolds bit by bit as you journey through it. While it has its downsides (or even flaws) from an operation’s standpoint (such as lack of casual seating) the land is glorious eye candy everywhere you look (which would be great to observe from said missing seating).
Our plan was to visit the planet both during the daytime and then return to see it under the glory of night. This worked out even better than we expected — our boarding pass was called for Rise of the Resistance (more on that in a bit!) late in the evening, which had us emerge from the ride just a few minutes before park closing. Which was enough time to hustle it over to Smuggler’s Run for our third ride of the day. We ended up being the last ones on the ride for the day, and when we were done piloting (woohoo!) we exited Hondo’s garage to a very empty Black Spire Outpost. Which allowed us to not only marvel in the great detail and lighting, but also take some nice shots with nary another person in sight.
So clearly we enjoyed Smuggler’s Run, but we were especially fortunate that our trip to Batuu came after the opening of Rise of the Resistance. Because it is truly something else. Several something elses, really, as it is more like 5 rides in one. Spoilers hereon out if you want to avoid, as I kind of did, studiously avoiding watching any on-ride videos so that I would go in semi-fresh. So while I knew of a few of the big set pieces from following the construction photos, the overall of it I didn’t know. I’ve heard it described as the first “F-ticket” attraction, and I would agree. There are a lot of very nifty moments, a tonne of incredibly creative set pieces and effects, and it has a more cohesive plot and perhaps even story than did the The Rise of Skywalker movie. It’s a tour de force (pun semi-intended), and I’m keen on seeing it again!
Some of my fav moments:
All in all, a great ride experience, and super impressive from a technical standpoint. Hats off and lightsabres up in salute to Imagineering for such great work!
One big addition to (and to fix a glaring omission from) my review of TRoS from last Sunday, and that is to commend the actors. They did what they could with the material given to them to do, and often went above and beyond the call. Adam Driver especially – he didn’t even get to speak for the last third of the movie and managed to pull off a lot of communication with only body language and expression. And a glass raised in condolences to John Boyega, for whom I think 50% of his dialogue opportunities was, started, or ended with, shouting “Rey!” in various ways. Their embodiment of the characters throughout the trilogy (whether they were in all three or just some of them) is one of the series’ strong points, and for some of the installments was the reason why the movie worked at all in any capacity.
It’s also gotta be rough as an actor, signing up for something you’re excited in and then being presented a script… and a reshoot, and another reshoot… and then seeing on screen what was finally edited together. And then everyone’s reactions to it. (Doubly so since, especially for some of them, they were hit with insane and disgusting vitriol hurled towards them personally as actors. That’s really shitty.) Like many I both dream of and would jump at a chance to be in a Star Wars movie (or any other movie, really, but Star Wars has extra resonance). I would sign on the dotted line and be ready to dive in. I can also imagine then being handed the script like for TFA or TRoS and feeling my heart sink and continue sinking throughout the process.
Now, I don’t know if any of the actors felt this way, and maybe they didn’t, but I still commend them heartily for giving it their all and bringing what there was to life and for making us like and invest into the characters, even as we may have wanted to see them (with these feelings even heightened because the actors were doing a good job) in better stories or better told stories.
From the moment I first heard/saw it on the Laserdisk release, I’ve always loved this early version of Can You Feel the Love Tonight. It’s just Simba and Nala singing to each other, though not actually singing to each other. It’s quiet and intimate and there’s something raw-er and more emotional present here than in the “heavenly choir” version used in the film. And also something more… profound? That might not be quite the right word for it, but there’s a greater sense of two lions becoming aware of their attraction while also dealing with what they’re carrying from their past. It feels much more authentic and real than the polished and grand production number used in film. The simpler orchestration here also really works for me.
All in all, an absolutely lovely version and definitively my favourite version of the song!
And so my friends we have come now to the end. Episode IX, the final chapter in the “main” Star Wars saga! Thus far in the trilogy, The Force Awakens largely disappointed, and The Last Jedi was strong in concept and rich in both direction and character arcs if, unfortunately, weak in storytelling. For this third installment, JJ is back to direct. Will the third time the charm? Will The Rise of Skywalker rise to the occasion and satisfyingly wrap up this 42 year journey?
Spoilers ahead…. Continue reading